smiller4716@gmail.com
instagram.com/samuelmiller.art
youtube.com/@samuelmillerart
Education
2028 BFA in Fiber, Kansas City Art Institute, Kansas City, MO, United States
2028 Minor in Sound Studies, Kansas City Art Institute, Kansas City, MO, United States
2028 Minor in Social Practice, Kansas City Art Institute, Kansas City, MO, United States
Awards
2026 KCAI Leap Award, Kansas City, MO, United States
2026 Susan Lordi Marker Project Award, Kansas City, MO, United States
Honors
2026 Kansas City Art Institute’s President’s List, Spring, Kansas City, MO, United States
2025 Kansas City Art Institute’s President’s List, Fall, Kansas City, MO, United States
2023 Kansas City Art Institute’s President’s List, Spring, Kansas City, MO, United States
Group Exhibitions
2026 Inner Workings, KCAI Gallery, Kansas City, MO, United States
2026 Dawning, The Warehouse, Kansas City Art Institute, Kansas City, MO, United States
2026 Gathering Voices, NoDivide KC, Kansas City, MO, United States
2026 Convos Around the Dinner Table, Vulpes Bastille, Kansas City, MO, United States
2025 Electric, The Warehouse, Kansas City Art Institute, Kansas City, MO, United States
2025 Trifocal, East Building, Kansas City Art Institute, Kansas City, MO, United States
2025 Caught in Motion, Lester-Goldman Gallery, Kansas City Art Institute, Kansas City, MO, United
States
Screenings & Festivals
2026 Nightshades Experimental Animation Festival, Charlotte Street Stern Theater, Kansas City, MO,
United States
2026 Magic Lantern, Epperson Auditorium, Kansas City, MO, United States
2024 Magic Lantern, Screenland, Kansas City, MO, United States
Media Appearances
2025 “Sound in Radio Art” KKFI 90.1 FM Kansas City Community Radio, 29 January 2025
2026
27” x 8”, double weave pickup with cotton yarns
- Handwoven double weave pickup animation study of Georges Schwizgebel’s 1982 animated film “The Ravishment of Frank N. Stein”. The animation is made with 5 frames on each side, with the colors carefully planned to continue seamlessly onto the reverse side, resulting in total of 10 frames for the loop. The values are intentionally placed and transitioned through the doors in order to allow both sides to loop together, activating the front and back equally. This creates an endless space, although the physically woven object itself is quite small.